Come, dear reader, and join us in the Mausoleum! I have something very close to heart to discuss this time, so please forgive me.
For our first issue, released back in March of this year, I contracted with an artist who shall remain unnamed to work up some art for the cover and each of the stories in that issue. Part of this whole Mausoleum endeavor is to give a place for artists to publish their brilliant voices, and this includes more than just authors. Writing is great and all. I mean, it’s how I began and how I continue. But when it comes down to it, writing is just one of a vast array of art. I recognize that. And I have the opportunity and responsibility to represent that in whatever ways I can. So, yes, I hired an artist to illustrate our first issue.
There are a couple of things wrong with this statement though. The second issue had no art, and the first issue was comprised of AI-generated art. What went wrong? Whatever happened to supporting art? How can I, in the position of a writer, support such methods, which I recognize deprive REAL HUMANS of their opportunities to publish REAL ART? I mean, I’m a writer, for god’s sake! I know better than anyone the value of real art and the detriment that AI can be to my value as an artist. How could I?
Well, please, allow me to explain the situation that presented itself to me.
As I set out on the journey to secure real art for Issue 1, I felt great. Enthusiastic, even! But as time went on, the art kept being increasingly delayed. I considered switching to a new artist, but when I voiced these concerns to the artist, he swore that he would have the art finished in time for the issue to go to print. Against my better judgement, I allowed him to continue.
One week before sending the issue to print, it became apparent that the art wasn’t going to come in on time. By that point, it was much too late to hire a new artist. Here is where my biggest mistake happened. I panicked. This whole project was so important to me, supporting writers like me, that I had a momentary lapse of judgement. In my panic, I turned to AI.
Fast forward to Issue 2. I realized the error in what I’d done. It was better to have no art than art that stole the voices of others. Hence the lack of art in the second issue.
Let me be clear. I am firmly against the use of AI to generate the images you see in this magazine. I, like many others, believes that it usurps the art of others, the creative spirit of other far-more-talented artists, and creates art which you could then essentially claim as your own. This is unfair to the original artists.
It*s not that being inspired by art that came before is inherently bad. All art is inspired by what came before. But AI art is so much more than that. Rather than drawing inspiration from other art, it literally takes the other art and algorithmically generates art using that. It’s stealing, is what it is.
I regret the decision I made in my moment of panic. I am completely against that, and am supportive of other artists, so how my brain jumped to AI as a solution to those circumstances, I don’t know. The mistake will not be repeated.
Let me be clear again. We are against the use of AI art in publications, and it will never be used in the creation of this magazine moving forward.
I am taking a new approach with this issue. The first thing you will notice is that art on the front cover. This art is my own creation, a modification of public domain images for which I have the right to use and modify. Within the issue, you will notice each story has now been prefaces with a more thematically designed title.
These are the types of decisions we want to make going forward. And please be aware, we listen to your voices. If there is ever something you would like us to hear, don’t hesitate to let me know directly at mail@maxblood.pub.
Now, I hope you enjoy the evolving design, but more importantly, I hope you enjoy the stories contained herein. A lot of great work went into these stories by a lot of great authors! Until next time…
When he’s not homeschooling and parenting, Max Blood spends his days spinning horror tales for online audiences. He specializes in the weird, the cosmic, and the monstrous. With a passion for turning cryptid stories into positively horrific monsters, he has created many tales of monster horror. He has also dabbled in ghost stories and body horror.
He currently lives in Bakersfield, California where he writes his novels and short stories, and in 2023, he launched Max Blood’s Mausoleum, a magazine of original horror stories.